Walt Disney Pictures has released the first trailer for director John Lee Hancock’s Saving Mr. Banks. The film centers around Walt Disney’s (Tom Hanks) decade-long pursuit of the film rights to author P.L. Travers’ (Emma Thompson) acclaimed novel Mary Poppins, and the uncompromising writer’s reluctance to let her beloved nanny get mauled by the Hollywood machine.
This has Oscar-bait written all over it. No chance a studio releases a movie like this in the summer, but around Oscar season the market gets flooded with charming/sappy/bio-pics like this. That doesn’t mean I don’t want to see this – Hanks and Thompson looks quite charming, and the supporting cast is top notch. Between this and Captain Phillips it looks like Movie Star Tom Hanks is back.
The cast also includes Colin Farrell, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Annie Rose Buckley, Ruth Wilson, B.J. Novak, Rachel Griffiths and Kathy Baker.
When Travers travels from London to Hollywood in 1961 to finally discuss Disney’s desire to bring her beloved character to the motion picture screen (a quest he began in the 1940s as a promise to his two daughters), Disney meets a prim, uncompromising sexagenarian not only suspect of the impresario’s concept for the film, but a woman struggling with her own past. During her stay in California, Travers’ reflects back on her childhood in 1906 Australia, a trying time for her family which not only molded her aspirations to write, but one that also inspired the characters in her 1934 book.
None more so than the one person whom she loved and admired more than any other—her caring father, Travers
Goff, a tormented banker who, before his untimely death that same year, instills the youngster with both affection and enlightenment (and would be the muse for the story’s patriarch, Mr. Banks, the sole character that the famous nanny comes to aide). While reluctant to grant Disney the film rights, Travers comes to realize that the acclaimed Hollywood storyteller has his own motives for wanting to make the film—which, like the author, hints at the relationship he shared with his own father in the early 20th Century Midwest.